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Chapter1 part 1 Nd2 6.Qxd4 and 7.b4
part 2a Nd2 6.Qxd4 and 7.Nf3
part 2b Nd2 6.Qxd4 and 7.Nf3
part 3a Nd2 6.Nxf3
part 3b Nd2 6.Nf3 7.g3
Chapter 2 part1 Nc3 and 4.e3- Nf3- a3
part 2a Nc3 4.Qb3 c5 5.a3-d5
part 2b Nc3 4.Qb3 c5 5.Nf3 and Bg5line
part 2c Nc3 4.Qb3 c5 5.Nf3 and a3line
part 2d Nc3 4.Qb3 c5 5.Nf3 and Bf4 line
part 3 Qc2
part 4a 4.e4 and Qc2
part 4b 4.e4 and Bd3
part 4c 4.e4 and f3
4.g3 and d6-e5 set-up part 6a
4.g3 and d6-e5 set up part 6b
4.Nf3 and a3 part 4
4.Nf3 and g3 part 5
Chapter 3 part1a Ld2 a5 4.e4
part 1b 4.e4
part 1c 4.e4
part 2a 4.Nc3 and a3
part 2b 4.Nc3 and e3-Nf3-Rc1
part 3a 4.a3 and the problem about d6
part 3b 4.a3-Nc3 and d5 set up
part 3c 5.a3-Nc3 and d5 set up
Welcome everybody to my Killer Bogo Indian - French Style opening course! The name of this exclusive opening is based on a sharp and dynamic set-up and of course the option of a transposition into the French opening when white plays 2.e4.
The course is divided into 3 chapters:
All those chapters lead to different structures, ideas and options. I tried to choose the sharpest variations in my course as I am a dynamic player, however I also mention alternatives in the game notations, which are naturally considerable.
Why does the Killer Bogo Indian offer you an excellent repertoire? First of all the "learning theory effort is rather limited" if you are a French opening player. Secondly the move order 1...e6 and Bb4 does avoid the Nimzo Indian defence (see chapter 2), as you do not put your knight on f6 at the early stage. The early b6-Bb7 and f5 set-up gives you a quick control on the important central square on e4.
Last but not least is the built up of pressure. In most variations you create an early attack in the centre, forcing your opponent on precise and correct play.
I played many games in the Bogo Indian Variation myself with great success, especially for rapid and blitz games this is a super good opening as moves are logical and come easy by hand.
IM Elizabeth Paethz
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